This poem is part of a series I wrote while on a break on the Costa del Sol. The tapas bar in question was in Benalmadena Puerto but has now closed.
Continue reading “Tapas Goyescas”
This post comes from a presentation I was asked to make for the Creative Mobility session at the 2nd annual Cultural Diplomacy Seminar of the London branch of EUNIC on 1st July 2011 at Europe House. The brief was to reveal any specific thoughts, ideas, visions or theories that I may hold about creative mobility, in particular future visions of how mobility could be utilised to enhance the economic and co-production opportunities for artists and cultural producers in these difficult times. Continue reading “Cultural Diplomacy and Creative Mobility”
This article forms part of a series where the benefit of hindsight over a long career allows me to dare to offer advice to younger entrepreneurs and managers. As my responses are often prompted by a query I have received, I find that each input has a better guarantee of being timely, relevant and of good reflective quality – all objectives in my content strategy. In this way they seem to meet a wider concern than just that of the person who asked the question in the first place.
This article comes out of an invitation from WOMEX 2011, the World Music Expo meeting that October in Copenhagen, to address the question:
“What are the practicalities, challenges and ethics of world music as cultural diplomacy today? And is it becoming more or less relevant to the sector?”
This is a selective list of the main resources on Cultural Diplomacy that you could tap into on the Web in 2012, some of which were not as objective as they may seem.
This information originally appeared as part of my earlier article on World Music and Cultural Diplomacy where you will find all the references. It is reproduced here in a bite-sized chunk to improve access. For a deeper read, have a look at the reading list. Continue reading “Cultural Diplomacy – a Rapid Primer”